Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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GADDI, Taddeo
The Angelic Announcement to the Sheperds fg

ID: 06758

GADDI, Taddeo The Angelic Announcement to the Sheperds fg
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GADDI, Taddeo The Angelic Announcement to the Sheperds fg


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GADDI, Taddeo

Italian Early Renaissance Painter, ca.1300-1366 Italian painter active in Florence. He was the son of a painter and mosaicist and a student of Giotto. His best-known works are frescoes in the church of Santa Croce in Florence. He directed a flourishing workshop for three decades, producing pictures in the style of Giotto but featuring more vivid picturesque effects with narrative detail. His son and pupil Agnolo (c. 1350 C 96) was an influential and prolific artist who likewise produced a notable series of frescoes for Santa Croce, The Legend of the True Cross   Related Paintings of GADDI, Taddeo :. | Allegory of the Cross sg | Life of the Virgin (detail) sdg | Stigmatization of St Francis s | The Adoration of the Shepherds | Presentation of Mary in the Temple dsg |
Related Artists:
Alessio Baldovinetti
Florence ca 1425-1499
JORDAENS, Jacob
Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels
Walter Moras
painted Markisches Dorf in 1888






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